Free Circle² Preset Expansion: EDM Sounds Vol. 1 / Hugh on June 25th

* All non percussive elements in this track are generated using the Circle² EDM Sounds Vol. 1 Expansion presets.

We’re currently in the process of recording our next video tutorials, which will be genre focussed synth recreations using Circle². The first series will be focussing on EDM, and will be followed by chapters focussing on deep house, future garage, drum and bass, dubstep and trap.

To precede the first videos, we would like to present a selection of the sounds that will be recreated over the first series. This powerful 6 preset expansion contains all the leads, pads and chords you will need to create the next hit track!

EDM Sounds Vol. 1

1. Electro Bassics
2. Square Lead Wobbler
3. Supersaw Power
4. Supersaw Tremor
5. Undercover Plucker
6. Undercover Saw Lead

Download the expansion here

To install the presets, just unzip and paste the folder “EDM Expansion Vol.1″ in here:

OSX - Application Support > FAW > Circle-2 > Presets
Windows - Program Files > FAW > Circle2 > Presets

Circle² Review Roundup - Part 2 / Hugh on June 25th

Resident Advisor

Overall rating: 4.4 / 5

“Perhaps the most impressive new feature of Circle² is a cutting-edge new oscillator type called VPS. This oscillator gets its name from vector phaseshaping synthesis, a technique in which two sine waves are combined in different ways to create a wide array of sonic textures. What sets this apart from the usual additive or frequency modulation algorithms is that VPS joins the sine waves together end-to-end. By altering the frequency and the point at which the waves are joined together, you gain an immense level of control over the output with just two parameters. FAW reportedly worked at length with some of the original authors of the VPS paper to refine their implementation for a software instrument. Their efforts paid off—the sonic possibilities of the VPS oscillator give Circle² a whole new level of depth and a signature that sets it apart from other instruments.”

Cost: 4.0
Versatility: 4.0
Sound: 4.8
Ease of use: 4.8

Read the review


“I’ve been using Circle² for the past couple of days and let me tell you it’s becoming on one my top synths. The sounds this thing produces are extremely gritty, massive and present to where music is today. If you’re an electronic music producer then this is the synth for you.”

Watch on YouTube


“Circle²’s esteemed user-centred design approach is forward-thinking and highly intuitive providing an improved workflow and user experience for both novice and experienced users. The unique interface reveals every parameter in a single window that is very accessible and easy to operate without having to click around to find hidden controls and submenus. The complex sounds crafted from the simplistic operations of this modern looking synth allows the user to focus on creativity rather than technicalities, which makes it a must have tool for your arsenal.”

Read the review

Artist Focus: Fanu / Hugh on June 25th

In continuation of our Artist Focus series, this month we spoke to renowned Finnish drum and bass breaksmith Fanu.

For our readers who are not familiar with you yet, please can you tell us a bit about yourself and what you do?

My artist name is Fanu. I live in Helsinki. and I’ve been releasing drum and bass and related styles since 2003 or so. I started making electronic stuff in 1992, though. I recently kicked off a “hip hop side career” as FatGyver, too. I run a label called Lightless and sometimes I release music wherever. My Bandcamp page should give a decent picture of what I’ve done in the past decade or so, as I’m trying to have most of the worthwhile music up there.

What inspired you to get into making electronic music? Is it something you’ve always known you wanted to do?

I could go for the super corny saying, ”I didn’t choose it – it chose me”. I spent my childhood (till I was 19) in the quietest, most boring countryside town, and hearing electronic music hit me really hard in the early nineties and definitely filled a void as I had nothing else to do (in addition to skateboarding). Hip hop came into my life at the same time and influenced me a lot as well, and I think most of my stuff has a bit of aesthetics from both genres.

I got into sampling with Amiga at an early age and started messing with tunes of my own around 1992 or so, and literally from the first moments I knew that’d be something I’d like to do. Nothing really compared to the magic of making music of your own. I still find it quite magical, to be honest.

How has living in Finland influenced your work?

It’s ”always” dark and cold here. Well, in general. Like right now, mid-June, it’s raining like hell while all I’d like to do right now is go out and skate. It still hasn’t got really warm, to be honest. So I’ll use today making music once again.

Living up north was even colder and darker, and I’ve always said there’s a lot to interpret in the dark, and snow definitely puts you into a different mindstate, and it 100% did shape my imagination when I was young. I’m grateful for having always lived in Finland, as because of that most composers here tend to write this sort of deep, melancholic music. It’s the weather / climate. I can’t even think of what type of music I’d be laying down if I had been born in Brazil or something.


When writing a track, what is your creative process? (Do you program drums first? Do you sit down at a set time and say “Now I’m making a track” or spontaneously rush to your studio…)

It varies a lot. For such a long time, I used to start with a break, and you can hear it: most of my D&B tunes are known for the breakworks. When you write a strong break, you’ll sort of have to write the song around it, whereas if you start with something else, the beat may be sort of complementary.

But I’ve always considered the “vibe” important too – the emotion – so I may start with that sometimes because just laying down a deep chord will totally set the vibe for everything else you’re going to do. But if I start with “something other than a break”, I won’t always end up getting that deep with the beats. But I like switching my ways of working in many ways as it keeps it fresh.

Music – finishing songs – is work, and you often have to make yourself work even when watching a movie or going to a pub might feel like a more pleasant option, but in terms of starting a new piece, I need to have a bit of a vibe going. I easily get there by going through sounds I’ve sampled or sounds I’ve created or come up with. I’m always working on ideas and sounds, so I’ll always have material to start a song with when I feel like it. I’ve been keeping a notepad of all worthwhile ideas etc. for a while now so that leaves me a lot of mental space as I don’t have to remember anything. Mental space is key when it comes to creating music.

Can you tell us about your studio setup?

As for hardware: 17” Macbook Pro, UAD Apollo Twin, Adam A7 monitors + Sub8 sub, Moog Minitaur, Arturia Microbrute, Waldorf Blofeld, Akai s3200XL, Akai s950, E-MU Ultra 5000, Akai MPC Renaissance, Ableton Push, Soundcraft desk.

As for software: Ableton Live 9 and a ton of software. I’ll use anything, to be honest. I’m not a master of anything – other than Ableton Live, which I also give a bit of training on – but I’ll vibe off of anything and make it work. Traditionally I’ve been sampling everything that moves pretty heavily but it’s been in recent years that I’ve started using synths more, too.

What were your initial thoughts on Circle2? Are there any certain features you like in particular?

For me it’s important that it looks clear – I can work on my breaks a long-ass time using a sampler from the 90s that’s slow to use, but to be honest I don’t spend hours and hours on a synth patch. I do make my own, but I want to get them down quite quickly, and I need to be able to just rock it without having to read the manual all the time. I mean if the GUI is intimidating, it puts me off, but Circle2 did the opposite when I saw it: it’s really easy to grasp. And the modulation system is the best I’ve ever used on a synth, hands down. Honestly, the design is great – all you really need is laid out for you and all is easy to see. I also love seeing visually where the envelope and LFO are going…one of those small yet big things and it helps you set their speed etc.

All in all, it’s perfect for someone like me who wants to get their hands dirty quick. Definitely one of those I’ll whip out at an airport, come up with a dope sound quickly, and boom, I’ll write a tune around it.

To keep up to date on Fanu’s latest news follow him on Facebook, SoundCloud and Twitter.

Circle² Official Trailer Launch / Hugh on June 25th

We recently launched the first official Circle² trailer, which you might have already seen up on YouTube.

The trailer features a dirty trap influenced beat, that tests out Circle²’s VPS, Wavetable and Analog oscillators.

Check out the trailer below!

Circle² 2.0.1 is Here! / Hugh on May 26th


This is the first Circle² update, and fixes several minor bugs that had been flagged by you. A big thanks for all your feedback so far, and don’t forget if you come across any issues then don’t hesitate to drop us a line at, and we will get it fixed up as soon as possible.

Change log:

  • Modulation amount popup positioning on bottom rising panels.
  • “VCA” title changed to “output”.
  • Keyboard tracking assigned to feedback tuning in default preset.
  • Mixer levels made uniform in default preset.
  • Fixed occasional spotlight browser freeze in 32bit FL Studio.

Windows Installer
OS X Installer

Circle² - First Reviews and Feedback / Hugh on May 21st

Ask Audio Magazine

“Despite how high FAW had already set the bar for themselves with the first version of Circle, it’s hard not to be impressed with the enhancements on offer in Circle². Whether building patches from scratch, modifying the growing library of factory presets, or using the handy randomisation controls to chance it, Circle² painlessly delivers high-quality sounds with style. Their commitment to elegant design in service of a fluid user experience make Circle² a joy to use, while the astonishingly flawless, full-bodied sound quality makes the majority of plug-ins pale in comparison. It’s no surprise their team boasts leading mathematicians working alongside innovative designers and clever programmers – the result of their collaboration is an essential piece of virtual kit.”

Read the review


“It allows you to lay ideas down really quickly, really efficiently… I’m just a fan of the workflow the plugin enables, and the visual feedback, that’s what has won me over. You can make some really cool sounds with this. Circle² - I’m a big fan!”

Attack Magazine

Ten Of The Best: New Synth Plugins (Feature)

“The visual aspect of Circle² is so telling because it sums up the synth’s main selling point: this is a complex, powerful synth that still manages to be user-friendly, a feat that should be high up any developer’s list of priorities but all too often gets overlooked in favour of cramming in as many features as possible.

A complete beginner could fire up Circle² and get started making sounds without too much difficulty. The synth engine is based on a combination of wavetable oscillators and FAW’s new VPS (“vector phase shaping”) synthesis engine, developed in conjunction with the audio research group at Maynooth University. It’s a powerful setup that avoids becoming overly complex thanks to the graphically driven approach; the name of the synth comes from the small circles underneath parameters, which can be dragged around the interface to set up modulation routings.

Circle² looks great and sounds even better.”

Read the review

Learning to Design Sounds with Circle² / Hugh on May 20th

Some of you may have followed the Circle sound design tutorials that have been on our website for the past few years. We’ve now updated these tutorials for Circle² and are presenting them in the form of a video series (just over an hour and fifteen minutes in total length). The tutorial playlist can now be found on our YouTube channel.

This video series will be useful both for beginners to gain an understanding of sound design fundamentals, and for advanced users to learn some extra Circle² hints and tips. We recommend watching the videos consecutively, as the complexity level increases with each tutorial. The tutorial patches are available to download via a link in the description of each video, or you can download the whole pack together as a zip from here.

We will be making more tutorial videos in future, so keep an eye on our YouTube / Twitter / Facebook for live updates. Do you want a tutorial on a specific sound design topic or how to make a particular sound?

Let us know via our social media or in the comments below!

Tutorials included in the series:

1. Creating a classic brass sound

  • Get acquainted with Circle²’s main components.
  • Connect modulation paths.
  • Utilize subtractive synthesis techniques.

2. Creating an electro synth bass

  • Use similar techniques used to those in tutorial one, but leading to drastically different results.
  • Use Circle²’s main synthesis modules.
  • Apply effects to make a sound more interesting and effective.

3. Creating a classic synth lead

  • Apply more interesting modulation paths and effects.
  • Use vibrato, filter modulation and multi effects to create more dynamic sounds.
  • Use Circle²’s intuitive modulation system to help make a patch playable and dynamic.

4. Creating a noise based sweep effect

  • An introduction to the building of effects patches.
  • Construct a classic synth sound effect.
  • Shape noise through filtering and EQ.

5. Creating a high passed riser effect

  • An introduction to high pass filtering.
  • Use multiple LFO modulation to create interesting movement in a sound over time.

6. Creating a rising scifi effect

  • Construct a more complex rising effects patch with a tonal laser / sci fi quality.
  • Understand Circle²’s sound design capabilities for non musical applications.

7. Creating sample and hold synth effects

  • Use Circle²’s analogue modelled filter as a sound source through self oscillation.
  • Create “sample and hold” synth effects as made prominent by Underworld in their seminal track “Rez”.

8. Creating an evolving ambient pad sound

  • Create delicate and moving pads.
  • Use layered wavetable oscillators to create harmonically rich patches.

9. Creating an analogue underwater pad

  • Use LFO filter modulation to create an “underwater” effect.
  • Design of sounds for building an ambience that evolves and changes over time.

10. Creating a synced arpeggiated lead sound

  • Use the Circle² arpeggiator.
  • Use analogue sync to add an aggressive, metallic tone to a sound.

Circle² User Reviews & Walk-Thrus On Youtube / Gavin Burke on April 2nd

Already people are uploading user reviews of Circle², check out some below.

Thanks guys!

Upgrading to Circle² from Circle / Gavin Burke on April 2nd

It couldn’t be easier to upgrade to Circle² from Circle.

All you need to do is find your original Circle Activation Code and enter it in the same way as you did with Circle. You’ll have three empty activation slots ready to be associated with your new install of Circle².

Our Japanese distributor, Media Integration, have kindly translated to Japanese instructions on upgrading:

If you need any more info, please feel free to contact


Circle² is here! / Gavin Burke on March 27th

Circle² is now available for download.

Circle² is a free upgrade for existing Circle users. You can simply use your existing Activation code and Circle² will move from demo mode to fully featured.

Circle²’s price for new users is €99.00/$129.00.

Facebook page or Twitter feed for more info.

Get ready to say hello to Circle².

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